The Tony Awards: If I were voting

The nominations for the 62nd Annual Tony Awards were announced this morning and, like last year, I'm going to go ahead and weigh in with my picks. Please note that these are not predictions. I'm awful at those. These are the people and productions for which I'd vote given an opportunity.

Update, June 16: It's the morning after, and I've added the actual winners from the Tony Award's telecast in brackets below.

Choreography: Andy Blankenbuehler gave In the Heights some really nice moments, and Rob Ashford's work on Cry-Baby was the best thing about the show, but my nod goes to Dan Knechtges for Xanadu. +1 difficulty for skates and a tiny stage. [Andy Blankenbuehler, In the Heights]

Orchestrations: A Catered Affair is a really sweet, gentle musical and Jonathan Tunick's orchestrations were lovely, but I'd vote for Jason Carr, whose work on Sunday in the Park with George let me hear a familiar, brilliant score in a refreshing new way. [Alex Lacamoire and Bill Sherman, In the Heights]

Book of a Musical: Not a strong year for the new book musical. Points to Douglas Carter Beane for making soup from the bones of Xanadu, but my vote goes to Quiara Alegria Hudesa for In the Heights. [Stew, Passing Strange]

Original Score: A close one here, with Lin-Manuel Miranda's In the Heights a strong favorite. Ultimately, though, I'll go with the surprising serendipity of Passing Strange by Heidi Rodewald and Stew. [In the Heights, Music & Lyrics: Lin-Manuel Miranda]

Scenic Design: (play) Todd Rosenthal's ginormous house and environs for August: Osage County was spectacular; (musical) I left Young Frankenstein humming Robin Wagner's scenery, but would vote for Sunday in the Park with George. The only misfire: Calling down the lights before we get a good look at the completed painting at the end of Act One. [Play: Todd Rosenthal, August: Osage County; Musical: Micheal Yeargan, South Pacific]

Costume Design: (play) Katrina Lindsay's gorgeous work for Les Liaisons Dangereuses was tops in my book, although I didn't get to see Cyrano de Bergerac, which is usually a playground for a costumer; (musical) David Farley, Sunday in the Park with George. (Yes, I tend to favor showy period productions in this category.) [Play: Katrina Lindsay, Les Liaisons Dangereuses; Musical: Catherine Zuber, South Pacific]

Lighting Design: Tough choice this year, in which nothing really jumped out at me among the noms. Most everything seemed fine and workmanlike. (play) Howard Harrison's work on Macbeth was quite lovely; (musical) Howell Binkley, In the Heights. [Play: Kevin Adams, The 39 Steps; Musical: Donald Holder, South Pacific]

Sound Design: Same here. (play) Mic Pool, The 39 Steps; (musical) Acme Sound Partners, In the Heights. [Play: Mic Pool, The 39 Steps; Musical: Scott Lehrer, South Pacific]

Direction: (play) No question about this one: Anna Shapiro for August: Osage County. I enjoyed all four nominated productions, although I generally feel playwrights shouldn't direct their own work. Conor McPherson's guidance of his own script for The Seafarer was okay, but the play would have benefitted from a second voice. (musical) I'm kind of torn here between Sam Buntrock for Sunday in the Park with George and Bart Sher for South Pacific. Both helmed exquisite revival productions, but I'll give it to South Pacific by a hair. (Sorry Mr. Laurents. Gypsy was not your best work, and certainly not the best of the season.) [Play: Anna D. Shapiro, August: Osage County; Musical: Bartlett Sher, South Pacific]

Featured Actor, Play: I loved Bobby Cannavale in Mauritius, and that's about all I loved there, but my vote's with Conleth Hill for The Seafarer. [Jim Norton, The Seafarer]

Featured Actress, Play: An extremely strong field this year. Rondi Reed, Sinead Cusack and Martha Plimpton were all great, but the always-marvelous Laurie Metcalf stood out in the otherwise mediocre November. She gets my vote. [Rondi Reed, August: Osage County]

Featured Actor, Musical: All gave fine performances, but Christopher Fitzgerald was the only actor on stage in Young Frankenstein who seemed to remember he was in a musical comedy and thus rescued the otherwise dishwater evening for me. Nice to see him in a meatier role than Wicked's Boq, that's for sure. [Boyd Gaines, Gypsy]

Featured Actress, Musical: No doubt here, I give my nod to Laura Benanti in Gypsy, the best Louise I've ever seen on stage. [Laura Benanti, Gypsy]

Actor, Play: Patrick Stewart in Macbeth. Absolutely riveting. Make it so. [Mark Rylance, Boeing-Boeing]

Actress, Play: I missed Come Back, Little Sheba, but really, my choice comes down to the two leading ladies of August: Osage County. Deanna Dunagan was just fierce as the gritty matriarch, but in a squeaker, I'd vote for Amy Morton, whose work I've admired for years, as the suffering sister. [Deanna Dunagan, August: Osage County]

Actor, Musical: Tough one! Paulo Szot gave one hell of a performance in South Pacific, but I was charmed by Lin-Manuel Miranda's Usnavi in In the Heights. He certainly wrote himself one hell of a Broadway debut role, then played it to the hilt. [Paulo Szot, South Pacific]

Actress, Musical: Another rough decision, really, and so I'm cheating with two votes. Patti LuPone in Gypsy and Kelli O'Hara in South Pacific. As far as I'm concerned, these two are tied for the most thrilling female performances on Broadway this year. (I do think Ms. LuPone will go home with the statuette, however.) [Patti LuPone, Gypsy]

Revival of a Play: Macbeth. The whole production was just perfect. [Boeing-Boeing]

Revival of a Musical: South Pacific. Ditto. Although the plane was a little much. Just because it's in the budget, Bart... [South Pacific]

Best Play: Tracy Letts' August: Osage County. Honorable mention to Rock 'n' Roll, which I kind of loved, but this isn't Stoppard's year. Mr. Letts deserves every accolade he's gotten for this grueling, gorgeous soaper. [August: Osage County]

Best Musical: Fresh but strangely conventional, my nod has to go to In the Heights. I had the best time overall here of the four nominated shows. [In the Heights]

I guess we'll see how tuned in to the Broadway pulse I am. The Tony Awards will be broadcast on CBS next month, June 15.

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