Another excerpt from the discarded first-draft of The Novel

I am essentially an optimist and a romantic, and I am gay. It therefore probably goes without saying that my record collection is heavily weighted with original Broadway cast albums, collections of torchy ballads and the obligatory chart hits and disco. It is music predisposed toward cheerfulness, sunny attitudes about love, moon, June and boys with bodacious pecs.

But I also own a small assortment of compact discs which I loosely categorize as "Music I Play to Torture Myself."

You probably know the sort of song I'm talking about. You may have a similar shelf next to your stereo. The way the world is going, it is likely only a matter of time before this genre joins album rock and adult contemporary as a hot radio format.

It is the music I play when an affair reaches its inevitable end, and I find myself burrowed beneath the bed sheets, a variety of comfort food and tissue boxes arrayed at my side. It is my-man-done-done-me-wrong ditties. It is here-I-go-making-the-same-mistake-again harmony.

It is music to mope by.

"The Man Who Got Away". "The Man I Love". "In the Wee Small Hours of the Morning".

"I thought I'd found the man of my dreams, now it seems this is how the story ends, he's gonna turn me down and say 'can't we be friends?'."

But when it comes to love, and love unrequited, and love-just-not-quite-quited, nobody but nobody beats Rodgers and Hart:

If they asked me, I could write a book
About the way you walk and whisper and look.
I could write a preface on how we met
So the world would never forget.
And the simple secret of the plot
Is just to tell you that I love you a lot.
And the world discovers, as my book ends,
How to make two lovers of friends.

Nobody asked me, but this is the book I wrote.

Comments:

<< Back to Must See HTTP://