Thursday, January 29, 2004
Sweeney, Sheila on DVD
Sweeney and Sheila on DVD: Oh, this is just the best news so far this year!
Two new DVDs will be released on April 20: The 1982 Emmy Award-winning television version of
Sweeney Todd, starring Angela Lansbury and George Hearn, and
The Last of Sheila, my favorite mystery-thriller film of all time, written by Stephen Sondheim and Tony Perkins and directed by Herbert Ross with a fantastic cast.
Pesky broadcast rights issues had held up the release of the former forever and I carefully protected my precious VHS version, refusing to lend it and only once or twice permitting it to leave my home, always under escort. Good copies are exceedingly rare and often fetch a princely sum on eBay or through trading channels. I'm a bit more generous with my VHS of
Sheila, since it is still in print. It'll be grand to have them both on DVD and back in circulation.
January 29, 2004 at 3:10 PM
|
Recommended
Wednesday, January 14, 2004
The digital life
I made what I thought was a very sensible decision, namely that I was not going to purchase an iPod -- one of those tiny, portable computer hard drives from Apple Computer designed to hold a ton of digitized music, a higher-tech Walkman -- until I actually had a ton of digitized music. They advertise that those little buggers can hold 10,000 songs at a time, which sounds like a promising prospect: "Carry your whole CD collection with you all the time!"
Their promise, however, depends on making one of your own. Before you can experience this marvel of the digital age, you have to digitize, or "rip", the music from your compact discs into a format the computer can understand. This takes a
lot of time, particularly if, like me, your music collection contains many more than 10,000 songs. In fact, it's nearer to 10,000 CDs.
OK, well perhaps that's an exaggeration. But my motley assortment of cast recordings, jazz, folk, country-western, a cappella, pop, rock, dance, cabaret and classical discs does number in the thousands. It's a bit embarrassing, sometimes. At parties, when the conversation turns to matters of money and investing, at my turn I just smile enigmatically and aver that my funds are all tied up in CDs.
But over the past few months, by a piecemeal process, I've undertaken the task of stripping all the little 1s and 0s off the discs and storing them in my computer, their native habitat. It's slow going, taking between five and ten minutes to process each album.
And, occasionally, I get pangs of doubt. In geek speak, I'm converting the CDs into a computer file format called MP3 which, you may recall, was all the rage a few years ago among teens and college students swapping music with the Napster application.
I was a late-comer to that party; lacking, for the longest time, a high-speed phone connection attached to my home computer, the prospect of downloading large music files was too daunting. It never even occurred to me that I could simply convert the many music discs I already owned. So MP3 remained a mystery to me and I was, quite frankly, reluctant to explore and embrace it.
Hell, when they were introduced, I refused for a long time even to buy a CD player until I got a signed affidavit from
somebody promising they wouldn't come out with something better a week or two after I did. The milk crates packed with vinyl and a closet full of eight-track cassettes, dying and dead formats, in my student apartment already cruelly mocked me and, at the same time, labelled me a luddite.
So naturally I'm fretting that as soon as I finished ripping all of my CDs into the MP3 format, they'll invent something better the next day and render all my time spent feeding disc after disc into the computer obsolete.
The process has, however, yielded a few discoveries about my music collection, some happy, some perplexing, some worrying. For example, I was only slightly surprised to discover that there are a few dozen discs I purchased but never bothered to remove the plastic wrapping from, meaning they've never been heard in my home. There are a carton or two more that I received either as demos from groups I sought to book for one performance series or another, or review copies passed on to me during my tenure as a music critic for a major daily newspaper. Still others are extra copies boosted from the radio station where I DJed after high school.
And there's nothing like touching every album in your collection to expose odd gaps and even odder surfeits in my inventory. Cast albums, naturally, comprise perhaps the largest percentage chunk of the lot, but I've got a suspiciously lesbian number of Joni Mitchell albums. A bit earlier alphabetically, my Bette Midler collection is complete, but there are several missing Madonnas. And how I ended up with three copies of the perternaturally awful concept album for
Starlight Express, I have no idea. (I suspect I was too drunk at too many white elephant exchanges in the 80s.)
Anyway, I've a few more albums to convert (and by "a few", I mean "at least 1,500") before I order that iPod. It's nice to have a goal and, heaven knows, I've got plenty to listen to while I pass the time.
"Heaven Knows." Hmmm...
Donna Summer, Robert Plant, or The Corrs? They're all here somewhere.
January 14, 2004 at 5:01 AM
|
Pop Life
Stryker Doll

I had rather hoped I would attain a few more decades' age before I could rightfully declare that nothing -- very, very little anyway -- surprises me anymore. But I'm there. Consider the
Jeffrey Stryker action figure (suggested slogan: "Incredibly realistic! It can't act
either!"). At 12 inches tall, it's practically 1:1 scale, except for...er, obvious differences. And yes, it's "anatomically correct", right down to the injection-molded plastic pubic hair and the perpetually vacant stare.
It's the perfect plaything for your G.I. Joe or the ideal pal for a quickie with Ken. On the other hand, you just
know Billy would throw Jeff all kinds of shade if he spotted him out at a gym, disco or sex club.
Among the highlights of this site: the all-doll video rendition of Stryker's country-and-western travesty,
Pop You in the Pooper and other breathtaking (as in, I'm laughing so hard, I can't breathe) animations featuring La Jeffy.
January 14, 2004 at 12:49 AM
|
General
Help save a theatre
James McNally -- who, I swear, will steal my Lucky Charms some day if I don't keep an eye on him -- passes along word that Toronto's
Brookstone Theatre is facing a fiscal crisis.
For the past 15 years, Brookstone Theatre has been fulfilling its mandate "to radically re-connect theatre and spirit." Brookstone is a small but passionate theatre company that has received many positive reviews and Dora Award nominations (the Canadian equivalent of Broadway's Tony Awards). They receive a small amount of government funding, but since their mandate is broadly Christian, they don't receive the same amount of public funds as other theatre companies of their size. Among churches and the Christian community, Brookstone often gets overlooked or simply challenges people's ideas of what "Christian theatre" should be a little too much. They exist, like many innovators, between two worlds.
The thing that has always threatened to happen is happening now. Brookstone is in danger of falling through the cracks. If they are unable to raise $30,000 by the end of January, Brookstone will simply cease to exist. This would leave an empty hole in the soul of our city. Nobody else is doing what Brookstone tries, and succeeds at, bringing issues of spirituality into the realm of professional theatre. There is not one performance I have attended in the past ten years that has not moved me and caused me to think.
If you're move to pitch in a few bucks or more, there are
more details here.
January 14, 2004 at 12:05 AM
|
Theatre
Thursday, January 8, 2004
Foiled Again
Well, that's one way of keeping your apartment decor fresh: I admit it, I love a good prank, but I've never managed to pull off something
on this scale. (Once, when I was left alone in Jeff's house for a couple of hours, I turned all of his clothing inside out and rehung or refolded it. In retaliation, he's spent the last few years turning my
life inside out.)
I hope, after
this poor fellow eventually unwraps all of his possessions, his jokey friend pulls the same stunt a second time. Why? So Chris Kirk will have a genuine opportunity to utter the immortal phrase, "Curses! Foiled again!!"
[thanks to Boing Boing]
January 8, 2004 at 2:53 AM
|
General
Less a(ttra)ctive
A few weeks ago, I was chatting with a friend of mine, a celebrated writer and fellatio novice who is, despite getting a late start on the hobby, quickly mastering the rudiments and, apparently, taking every opportunity to refine the craft.
Naturally, I applaud his industry and initiative. I think I may even have mentioned once or twice looking forward to contributing to his research into this most practical of arts.
Anyway, in the course of conversation, he raised the topic of the dreaded "gag reflex" and means by which to mitigate it. Without a second's hesitation, I reeled off two bits of advice. First, I said, like anything, practice is essential. With time and repetition, nearly anything becomes easier and more comfortably accomplished. This is as true of mansex as it is of multiplication tables.
Second, I quickly added, the gag reflex is "less active" in the morning, suggesting yet another in the long list of pleasures to be derived from wake-up sex.
Now, I think the speed with which my answer came may have given it some credence, some mantle of authority, like a long-established fact that lives on the forebrain and waits to be recited. The trouble is, I have no idea if it's true, physiologically speaking.
I know, you're not supposed to believe everything you read and certainly, that's seldom a problem for me, since I rarely even
retain most of what I read. But the "fact" that the tendency to choke up a bit when things aren't proceeding down one's gullet as smoothly as they might be is less pronounced in the early hours of daylight? That's something I first read (or, as will quickly be made plain,
misread) almost 20 years ago.
It was right there in black and white on the pages of
The Joy of Gay Sex, the original 1977 edition, prized today not for its subject matter, much of which was either laughably obvious or dangerously incorrect, but for it's lavish and artistic -- no, really! -- illustrations. Subsequent editions of the volume, which is still in print, have retained too much of the outdated original text and all but eliminated the beautifully rendered pictures and diagrams. I don't recommend it as a primer.
I see that I made generous notes on my reading in my personal journal from the era and, despite having already more or less grasped and in some cases carried out the basics of the operation, I clearly learned a lot from the book.
It was the summer of 1985 and a few weeks before, I'd walked into the Waldenbooks of a suburban shopping mall and, before continuing on to the arcade where I'd spend the rest on futile round after round of
Dragon's Lair, I marched up to the counter, bold as brass and plunked down a week's lawnmowing wages to buy it. I still shudder a little bit at the relative courage that required of me, and I still marvel that such a book was even stocked in the, I thought, unenlightened backwoods of northeast Missouri.
Anyway, that's what it said, along with a whole host of other things: "The gag reflex tends to be less active in the morning." I would have taken that knowledge and added it to the growing register of things I knew about who I was and what I very definitely wanted but for one small detail.
I've told you what it
said. What I
read, however, was: "The gag reflex tends to be less attractive in the morning."
I am chagrined to admit that, because a couple of years later I lent the book to a friend in Texas and it was never returned, it was almost 10 years before I ran across a copy of the book in a secondhand shop in Chicago, reread the passage in question and discovered my error. Yes, although it may tarnish my reputation as a cultural and sexual sophisticate, I spent my late teens and early 20s believing that kecking a bit while sucking cock was an unwelcome foible first thing in the A.M. but, just perhaps, considered excusable after sundown.
The thing is, now that I put it all down in words, I'm not entirely sure that both interpretations don't have some merit.
January 8, 2004 at 12:47 AM
|
My So-Called Lifestyle
Monday, January 5, 2004
I want to be a part of it…
This is a rough time of the year for me to schedule travel, with three shows opening this month and a major event I've got to flack for keeping me close to home. Still, promises are promises, and I promised my old buddy Paul I'd be in New York to toast his 40th birthday and I promised several friends I'd get around to seeing their shows. So it's a happy accident that some necessary business coincides with the former and yet permits me enough spare time to do the latter.
I'll be voting myself onto the island next week, essentially for a long MLK weekend. The agenda includes the aforementioned natal day drinks, odd moments to catch up with friends, and a few (!) hours in the theatre
Oy vey. Sometimes "a life in the theatre" is meant very, very literally.
January 5, 2004 at 1:18 AM
|
Roam
Computer Chronicles
This is pretty deeply cool. The
Internet Archive has downloadable video archives going back to 1984 of the TV program
Computer Chronicles, hosted by Stewart Cheifet. Paging through some of the shows year by year is like unearthing a time capsule filled with some of the people and events that shaped the personal computer revolution.
[hat tip to Andy]
January 5, 2004 at 12:37 AM
|
Recommended
Sunday, January 4, 2004
The Pants Came Back
We simply could not be more pleased to discover that
Mr. Pants has returned. An hour or so spent skipping through the archives is a testament to how much we've missed it.
January 4, 2004 at 12:53 PM
|
Recommended
Friday, January 2, 2004
Spam und drang: 136,235

At the stroke of midnight, the grand total was
136,235 unsolicited, commercial e-mail messages received on one account (my primary personal e-mail address) in one calendar year, 2003. That's
566,795K of worthless e-mail and wasted bandwidth. Not one of those messages advertised a product or service in which I was even
remotely interested; hell, most of them didn't even make any sense, just strings of gibberish, random words and numbers.
By the end of December, I was receiving about
700 spam messages every day.
If I spent just one second scanning the subject line of each message and deleting it, that means
I spent roughly 37.8 hours in 2003 dealing with garbage e-mail. Almost a full work week! I suspect I spent somewhat more than that, actually.
And if I'd kept track of all the crap messages received on all of the e-mail addresses I administer, for both work and personal projects, those numbers would be staggeringly higher. If I added in all of the spam that's sent everyday to
non-existent addresses at my domains, you could multiply the total by a factor of 10. If I added in the bounced messages that come back to me because some unscrupulous spammer (and how's
that for redundant?) spoofed my domain when sending out their shitty missives, you could count on another 20,000-30,000 messages.
What does it all mean? It means the noise is way, way, way outshouting the signal. It means that legitimate mass e-mail (say, newsletters my theatre subscribers have double opt-in requested) is automatically rejected as spam. It means that I can no longer send e-mail from bradlands.com to my friends with AOL or Road Runner accounts because those companies have gotten dozens of complaints of spam coming from my domain.
It means e-mail is broken, perhaps irreparably so.
A reminder: I'm taking measures -- short-term solutions, perhaps -- to personally opt out of the
spam und drang. I have a new private personal e-mail address. If you're in my address book, you should have already received my particulars (except if you're using AOL or Road Runner). If you didn't, no hard feelings. I'm just trying to keep my e-mail safe and myself somewhat sane.
Beginning January 31, all mail to the old address -- nearly six years old -- will begin bouncing. Correspondence will also be accepted through a simple feedback form on this website, location to be announced shortly.
January 2, 2004 at 3:35 PM
| (4)

|
Spam
Thursday, January 1, 2004
Theatre on the Cheap
I probably get a dozen calls or e-mail messages every week from folks planning trips to New York or other cities who want to know what they should see at local theatres while there. Actually, what many of them
really want to know is if I can score them some primo tickets through industry connections. (I often can, but most are surprised to learn that they're expected to pay for them. I can usually hook up a set of great top price house seats to a Broadway show or just about any legit house in the country, but comps? Forget about it!)
Anyway, the next question from theatre fans is usually how to get the most for their money, and there I
can help. Here are a few tips I generally pass along:
New York: Discount tickets to Broadway and off-Broadway shows can be purchased (cash only) at the
TKTS booths, operated by the Theatre Development Fund, in Times Square or at the South Street Seaport on the day of performance. Usually, half price or sometimes 25 percent off tickets are available. Demand for these cheap seats is high, so check the booth hours and queue up early for best selection. (It may seem tedious, but waiting on line at TKTS is also a great way to meet people.)
If you prefer to purchase show tickets in advance (and many travelers do), you can still take advantage of discounts on popular shows. Check with your credit card provider; many (American Express and Visa, particularly) make special ticket offers from time to time. A boon for frugal theatregoers is the community website
Broadway Box, which collects news, contributed by readers, of special offers and discount codes which you can then use to purchase tickets.
With discount codes, you can mention them to the operator during phone sales or type them into the order form on sites such as
Ticketmaster to get the savings.
Telecharge, which offers online sales for many New York venues, won't take discount codes, but their partner site,
Broadway Offers exists just for that purpose.
Chicago: Check out the
Hot Tix booths near the Daley Center or at the Water Tower visitors center on Michigan, which offer half-price "day of" seats for over 100 Chicago-area theatres. Hot Tix offers are also available at some Tower Records stores. Some locations take plastic, elsewhere it's cash only.
Washington, DC: Ticketplace is another half-price day of performance outlet, located at the Old Post Office, with tickets for the Olney, Kennedy Center, Washington Opera, Wooly Mammoth and many more. Cash and cards accepted.
London: There's a
tkts booth in Leicester Square, although it's not affiliated with the Theatre Development Fund, which runs the New York booths of the same name. Same basic deal, though. Half-price, day of show, cash and cards accepted.
I've used all of the above options at one point or another; selection can be feast or famine with these places, but I've seldom been disappointed. The TDF website has a list of
discount ticket booths in other cities around the world.
In
St. Louis, many theatres and cultural organizations offer discounts and special offers through
Big Thank You.
January 1, 2004 at 6:42 PM
| (4)

|
Theatre